nietzsche art citation

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(Friedrich Nietzsche). Posters et affiches d'artistes indépendants sur le thème Friedrich Nietzsche. 2 2 I follow a number of recent writers here in distinguishing the ‘moral’ from the ‘ethical’, and in construing the former as a special—or allegedly special—case of the latter. Friedrich Nietzsche - From the Technology category: The press, the machine, the railway, the telegraph are premises whose thousand-year conclusion no one has yet dared to draw. Nietzsche's point, then, is not very surprisingly an elaboration of the notorious claim he had made fifteen sections earlier, namely, that: … every great philosophy so far has been … the personal confession of its author and a kind of involuntary and unconscious memoir; also that the moral (or immoral) intentions in every philosophy constituted the real germ of life from which the whole plant had grown. Researchers wishing to cite this collection should include the following information: "Item title, Collection title, Collection Identifier, Michigan State University Archives & Historical Collections, East Lansing, Michigan." They would simply confirm the impression—amply bolstered from other quarters—that Nietzsche was not at his best when addressing the staple questions of philosophy. And a choice does not seem to be a genuine choice unless an agent has more than one alternative course of action open to him. Rather than regarding such constraints or necessities as limits on their powers—as those ‘weak’ characters do, who ‘feel that if [these] bitterly evil compulsion[s] were to be imposed on them, they would be demeaned’—the ‘strong’ recognise such constraints as essential to the effective exercise of those powers. See Sartre 1969: Part 4, chapter 1. Many such norms can of course be formulated very easily. Friedrich Nietzsche - From the Complaining category: It is impossible to suffer without making someone pay for it; every complaint already contains revenge. It is altogether more plausible to read him as addressing a different way in which freedom and responsibility might be thought to be threatened, a way that is, as it were, orthogonal to the worry about determinism. And it is in this sense, I suggest—to which his thoughts about freedom are central—that Nietzsche regards art as an image of the ethical.44 Man is the cruelest animal. (Friedrich Nietzsche), That which does not kill us makes us stronger. (Friedrich Nietzsche). Friedrich Nietzsche - From the Immortality category: One has to pay dearly for immortality; one has to die several times while one is still alive. Keith Ansell-Pearson & Howard Caygill - 1994 - Journal of Nietzsche Studies 8:95-115. Friedrich Nietzsche - From the Timeliness category: I love those who do not know how to live for today. See more ideas about friedrich nietzsche, nietzsche, nietzsche quotes. We are perpetually on the way thither, being by nature winged insects and honey gatherers of the mind. (Friedrich Nietzsche). Nietzsche. (Friedrich Nietzsche). And third, it would wholly occlude Nietzsche's real reason for picking the quarrel in the first place—to which I turn in a moment.11 En fait, Nietzsche récuse l’ensemble de la philosophie avant lui. And there are at least two reasons why this question should be left open. 13It is worth noting the strong affinity between the structure of Nietzsche's interest in the issue of freedom and the structure of Hegel's, and, specifically, the way in which both regard questions concerning a possible conflict between free will and the causal order of nature as a red herring in this context. (1981). 12Of course, in one sense there needn't be two parties here. (Friedrich Nietzsche). Nietzsche was not interested in the nature of art as such, or in providing an aesthetic theory of a traditional sort. It is the same with critics – they desire our blood, not our pain. Friedrich Nietzsche - From the Morality category: -The Joyful WisdomMorality is the herd-instinct in the individual. 36For a compelling defence of these claims, see Kenny 1989: ch. Une citation est une phrase sortie de son contexte. One knows what one's intention is, determinately, only in realising it. As Aristotle argued, the fact of unformulability does not, by itself, indicate the absence of norms that transcend the idiosyncrasies of individual agents: the good man ‘perceives’ what a situation requires of him, even though there is no statable rule that allows him to do this.26 (Friedrich Nietzsche), I cannot believe in a God who wants to be praised all the time. Second, it would obscure the fact that Nietzsche clearly agrees with the ‘radical incompatibilist’ that freedom in the ‘superlative metaphysical sense’ is incompatible with the constraints imposed by ancestors, chance, society and the like. Nietzsche’s philosophical bent was toward existentialism ; he was one of the few existentialists to confess that, without God, life has no ultimate meaning (i.e., nihilism ) and no objective moral values. (Friedrich Nietzsche). The obvious answer, which isn't wrong, is that to do as one intends is to be free. I have my way. 25Kant would agree with Nietzsche about this, at least in so far as artistic agency is concerned. Unlike ‘the weak characters’ whom Nietzsche mentions, self‐stylists do not regard the necessity that they impose on themselves as a threat to ‘their belief in themselves’—as a sentence of slavery—and still less, for obvious reasons, do they regard it as any sort of excuse to abdicate responsibility for themselves. Rather, they experience it as the condition of being ‘perfected under their own law’—of which more in a moment.15 And what they add up to is one aspect of his attempt to understand life after the model of art. Absolutely free, no strings. Friedrich Nietzsche - From the Innocence category: There is an innocence in admiration; it is found in those to whom it has never yet occurred that they, too, might be admired some day. 33This might be disputed. But the ‘radical incompatibilist’ claims more than this: his claim is that no act of free will is caused or affected by anything other than itself. ... but for Conrad and Lawrence less attention is given to the relationship between their art and Nietzsche's philosophy. (Friedrich Nietzsche). (Friedrich Nietzsche), Every man is a creative cause of what happens, a primum mobile with an original movement. 29—and which has been widely taken up: by Hegel, of course, in The Philosophy of Right (for a superb discussion of this aspect of Hegel's thought, see Pippin 2000) and following Hegel by, e.g., Taylor 1985 and by Collingwood 1938: ch.6 in his account of art as expression. He does not, as I have remarked, confine his attention to—or even seem especially interested in—the sorts of constraint or necessity that are imposed by ordinary physical causation. 8. And, from here, it is a short step to a relatively modest conclusion, which is this: if there are forms of mastery in other types of agency, and if these forms of mastery depend for their possibility upon the acknowledgement of unformulable necessities constitutive of the practices through which those types of agency are exercised, then to that extent artistic agency is exemplary of agency as such.42 He merely intends to steer off the ‘laisser aller’ conception of freedom—the thought that any and every constraint necessarily curtails one's power to act.23 L'art permet au penseur d'échapper au pessimisme. It is true, then, that the freedom‐through‐constraint account sets up those constraints as fundamentally independent of the agent. (Friedrich Nietzsche). (Friedrich Nietzsche). Let us start with this passage. Or does he deny that determinism, properly understood, excludes the possibility of alternative courses of action? (Friedrich Nietzsche). Friedrich Nietzsche - From the Listening category: We hear only those questions for which we are in a position to find answers. For the dance is his ideal, also his fine art, finally also the only kind of piety he knows, his 'divine service.' First, as I have said, it would resituate the disagreement between Nietzsche and his opponent in the context of the free will/determinism debate, a debate in which—for the reasons I have given—it does not belong. And this, translated into an artistic register, is Nietzsche's point. But I can't draw them out here. Friedrich Nietzsche - From the Gender category: Ah, women. Friedrich Nietzsche - From the Time category: Glance into the world just as though time were gone: and everything crooked will become straight to you. But, as I argue in the main text, even this line of thought must be, at best, incidental to Nietzsche's principal concern. Friedrich Nietzsche - From the Ambition category: Admiration for a quality or an art can be so strong that it deters us from striving to possess it. But we needn't appeal to poetry to see what he means. For an excellent discussion of Hegel on these matters, see Pippin 1997. Friedrich Nietzsche - From the Originality category: Many a man fails as an original thinker simply because his memory is too good. Note: Citations are based on reference standards. 31Of course, I may not like what I find when I make this discovery, and may, in that sense, prefer that my action were otherwise. 17Nietzsche is often concerned with this kind of reciprocal relation. Nietzsche’s written works include Thus Spoke Zarathustra, Beyond Good and Evil, The Genealogy of Morals, The Antichrist, and Ecce Homo, an autobiography written near the end of his life. (Friedrich Nietzsche). Friedrich Nietzsche - From the Goals category: Many are stubborn in pursuit of the path they have chosen, few in pursuit of the goal. Friedrich Nietzsche - From the Gratitude category: The essence of all beautiful art, all great art, is gratitude. Friedrich Nietzsche - From the Individuality category: The individual has always had to struggle to keep from being overwhelmed by the tribe. It may well be that some of the norms and constraints constitutive of our practices are unwelcome, or even offensive—as, for example, I might conclude when I find that I have to work with and through the rules of an appeals process that I think defective against a decision that I consider unjust. (Friedrich Nietzsche). It may then seem natural to conclude that Nietzsche thought that the will was a part of the causal order of nature, and that it was ‘free’ in some strictly unsuperlative, unmetaphysical sense—perhaps, in fact, in a sense much like Hume's, where one's choices are construed as ‘free’ to the extent that they are caused by one's character.4 (Friedrich Nietzsche). In modern philosophical discussion, human freedom and responsibility are often thought to be threatened by what might be termed ‘physical determinism’. If one is something, one really does not need to make anything - and one nonetheless does very much. Friedrich Nietzsche - From the Silence category: The author should shut his mouth when his work begins to speak. And we should call every truth false which was not accompanied by at least one laugh. When he says the individual is a fallacy, he is talking about the ego in all of us. La littérature, la poésie sont l'art des mots à la frontière du domaine d'intellect. The full text of this article hosted at iucr.org is unavailable due to technical difficulties. (Friedrich Nietzsche). 43A strong case could be made for regarding Max Weber's ‘Vocation’ lectures as attempts to spell out what ‘mastery’, in this sense, amounts to in non‐artistic contexts: see Weber 2004. Jenkins 1998: 213 makes a similar point. But the curious fact is that all there is or has been on earth of freedom, subtlety, boldness, dance, and masterly sureness, whether in thought itself …, or in rhetoric and persuasion, in the arts just as in ethics, has developed only owing to the ‘tyranny of such capricious laws’; and in all seriousness, the probability is by no means small that this is ‘nature’ and ‘natural’—and not that laisser aller. For on these views it would follow that the physical state of our bodies is also predetermined at every point. In this sense, he had a perfectly clearly formed intention before he began—and one which he indeed went on to realize in ‘the performance’. Friedrich Nietzsche - From the Love category: Love is not consolation. (Friedrich Nietzsche), Of all that is written, I love only what a person has written with his own blood. He had next to no systematic interest in metaphysics, and his concern with the question of freedom was not motivated by metaphysical considerations. At the most causal end of the scale we might consider facts such as that we are incapable of unaided flight, or that too many carrots will make us sick (physical constraints, incidentally, that are quite different from, and which may or may not presuppose, the kind of physical determinism that concerns the standard incompatibilist). (Hampshire 1959: 95–96). (Friedrich Nietzsche). (Friedrich Nietzsche). I have the freedom to castle my king, say, only in virtue of my acknowledgement of some readily statable rules of chess. Friedrich Nietzsche - From the Choices category: An artist chooses his subjects: that is the way he praises. But—second—it is quite uncertain whether we understand the terms ‘creation’ and ‘discovery’ perspicuously enough for the question to have a clear sense. Nietzsche's point here can be summarised, crudely, in three related claims. 21 Accordingly, Nietzsche consistently emphasizes that such illusions must satisfy the Honesty Condition. Read from this perspective, Nietzsche's remarks about freedom actually add up to something. But rules that are formulable in this way bring with them the danger of self‐misunderstanding. 1998a and 1998b. (Friedrich Nietzsche). Friedrich Nietzsche - From the Suffering category: Perhaps I know best why it is man alone who laughs; he alone suffers so deeply that he had to invent laughter. 4 vols. (Friedrich Nietzsche). (Friedrich Nietzsche). (Friedrich Nietzsche), Egoism is the very essence of a noble soul. (Friedrich Nietzsche). “I know of no better life purpose than to perish in attempting the great and the impossible.” ” – Friedrich Nietzsche. "We have art in order not to die of the..." - Friedrich Nietzsche quotes from BrainyQuote.com "We have art in order not to die of the truth." For Nietzsche, by contrast—and the contrast can be hard to spell out—art was an image of the ethical.2 In its most radical form, this conception involves the idea that one is not free at all unless one is free from every kind of constraint that one's circumstances might seem to impose; perhaps even from the constraint of being oneself. (Friedrich Nietzsche). The claim in the first two sentences might be taken as a denial that the will is capable of traducing the causal order of nature; the claim in the final sentence as a denial that the will is consequently ‘unfree’. It will be the strong and domineering natures that enjoy their finest gaiety in such constraint and perfection under a law of their own … Conversely, it is the weak characters … that hate the constraint of style: they feel that if this bitterly evil compulsion were to be imposed on them, they would be demeaned—they become slaves as soon as they serve; they hate to serve. Friedrich Nietzsche - From the Imitation category: The 'bad' gains respect through imitation; the 'good' loses it, especially in art. It would therefore be misleading to label Nietzsche a ‘compatibilist’, for at least three reasons. they magnify and diminish it’ (D §326); and then in the observation that ‘One can dispose of one's drives like a gardener and … cultivate the shoots of anger, pity, curiosity, vanity as productively and profitably as a beautiful fruit tree on a trellis … All this we are at liberty to do: but how many know we are at liberty to do it?’ (D §560). - Une citation de Friedrich Nietzsche VIII—Nietzsche, Amor Fati and The Gay Science. Philosopher Schopenhauer thinks that contemplating beautiful art facilitates a calming, distanced sensation that gives people a break from the relentless striving or “ willing ” … We can say: in the exemplary exercise of agency, success is marked by the fact that the agent's will—his intention—becomes ‘determinate’in its realisation, and only there. Plusieurs formats disponibles. The philosopher Friedrich Nietzsche was born in Prussia in 1844. Abstract. One can only act for a reason, however, if one has the capacity to give and respond to reasons; and that capacity depends upon one's participation in a set of social practices whose norms are, in the relevant sense, wholly independent of one's own whims and preferences.36 It is true that Nietzsche thinks that both parties hold views that are incoherent.12 The action is not only the action that I intend, but, in performing it, I discover exactly what my intention is.31 Two final worries must be addressed, however. For an excellent discussion, see Conant 2001. Two noteworthy and accessible instances of the latter, both concerning the art that Nietzsche cared most about, are Charles Rosen's discussion of the B/B‐flat conflict in Beethoven's Hammerklavier sonata (Rosen 1971: 413–420) and Stephen Davies's discussion of the role of the unexpected C‐sharp in the opening theme of the same composer's Eroica symphony (Davies 2002: 353–354).

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